PAPERS
Serge Modular Archive Instrument (SMAI): Bridging Skeuomorphic & Machine Learning Enabled Interfaces
Authors: Ted Moore; Jean Brazeau
Shard-Speakers: An Inquiry into the History, Sonic Properties, and Musical Possibilities of Quartz Crystal Singing Bowls
Author: Anastasia Clarke
Magnetic Interactions as a Somatosensory Interface
Authors: Nicola Privato; Thor Magnusson; Einar Torfi Einarsson
Self-Sabotage Workshop: a starting point to unravel sabotaging of instruments as a design practice
Authors: Teodoro Dannemann; Nick Bryan-Kinns; Andrew McPherson
Brushing Interface - DIY multi-touch interface for expressive gestural performance
Author: Jaehoon Choi
The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs
Authors: Eduardo A. L. Meneses; Thomas Piquet; Jason Noble; Marcelo Wanderley
A Wearable Technology For Wind Musicians: Does It Matter How You Breathe?
Authors: Lucie F. Jones; Jeffrey Boyd; Jeremy Brown; Hua Shen
Building hybrid performances with DMIs, Hubs and Faust
Authors: Michał Seta; Dirk J. Stromberg; D. Stewart
Live Coding Ensemble as Accessible Classroom
Authors: William C. Payne; Matthew Kaney; Yuhua Cao; Eric Xu; Xinran Shen; Katrina Lee; Amy Hurst
Steelpan-specific pitch detection: a dataset and deep learning model
Authors: Colin Malloy; George Tzanetakis
Exploring the (un)ambiguous guitar: A Qualitative Study on the use of Gesture Disambiguation in Augmented Instrument Design
Authors: Adan L. Benito Temprano; Teodoro Dannemann; Andrew McPherson
Completing Audio Drum Loops with Symbolic Drum Suggestions
Authors: Behzad Haki; Teresa Pelinski; Marina Nieto Giménez; Sergi Jordà
Machine Learning for Musical Expression: A Systematic Literature Review
Authors: Théo Jourdan; Baptiste Caramiaux
Where Few NIMEs Have Gone Before: Lessons in instrument design from Star Trek
Author: S. M. Astrid Bin
eTu{d,b}e: case studies in playing with musical agents
Authors: Tommy Davis; Kasey LV Pocius; Vincent Cusson; Marcelo Wanderley; Philippe Pasquier
Transmitting Digital Lutherie Knowledge: The Rashomon Effect for DMI Designers
Authors: Eevee Zayas-Garin; Charlotte Nordmoen; Andrew McPherson
LoopBoxes - Evaluation of a Collaborative Accessible Digital Musical Instrument
Authors: Andreas Förster; Alarith Uhde; Mathias Komesker; Christina Komesker; Irina Schmidt
Laser Phase Synthesis
Authors: Derek Holzer; Luka Aron; Andre Holzapfel
An embedded wavetable synthesizer for the electronic bandoneon with parameter mappings based on acoustical measurements
Authors: Juan M. Ramos; Pablo Riera; Esteban Calcagno
Ethically Aligned Stakeholder Elicitation (EASE): Case Study in Music-AI
Authors: Anna-Kaisa Kaila; Petra Jääskeläinen; Andre Holzapfel
Oscillations: Composing a Performance Ecosystem through a Sonic Cyberfeminist Lens
Authors: Patty J. Preece; Melania Jack; Giacomo Lepri
Culture and Politics of Machine Learning in NIME: A Preliminary Qualitative Inquiry
Authors: Théo Jourdan; Baptiste Caramiaux
Soundwalking Deep Latent Spaces
Authors: Hugo Scurto; Ludmila Postel
Pipeline for recording datasets and running neural networks on the Bela embedded hardware platform
Authors: Teresa Pelinski; Rodrigo Diaz; Adan L. Benito Temprano; Andrew McPherson
The O in NIME: Reflecting on the Importance of Reusing and Repurposing Old Musical Instruments
Authors: Raul Masu; Fabio Morreale; Alexander Refsum Jensenius
Legatus: design and exhibition of loudspeaker-based, environmentally-reactive, soundscape augmentation artifacts in outdoor natural environments
Authors: Nathan D. Villicana-Shaw; Dale Carnegie; Jim Murphy; Mo Zareei
Sensattice: An emerging collaborative and modular sound sculpture
Author: Jonathan Diaz
AbletonOSC: A unified control API for Ableton Live
Author: Daniel Jones
Studying Subtle and Detailed Digital Lutherie: Motivational Contexts and Technical Needs
Authors: Jack Armitage; Thor Magnusson; Andrew McPherson
Redesigning the Chowndolo: a Reflection-on-action Analysis to Identify Sustainable Strategies for NIMEs Design
Authors: Nicolo Merendino; Giacomo Lepri; Antonio Roda; Raul Masu
Tools and Techniques for the Maintenance and Support of Digital Musical Instruments
Authors: Albert-Ngabo Niyonsenga; Marcelo Wanderley
Sound guiding action: the effect of timbre on learning a new DMI for beginner musicians
Authors: Olivia B Smith; Matthew Rodger; Maarten van Walstijn; Miguel Ortiz
Ergodynamics of String Feedback
Author: Halldor Ulfarsson
Exploring Emerging Drumming Patterns in a Chaotic Dynamical System using ZRob
Authors: Seyed Mojtaba Karbasi; Alexander Refsum Jensenius; Rolf Inge Godøy; Jim Torresen
Music jamming as a participatory design method. A case study with disabled musicians
Author: Teodoro Dannemann
Extending Eye-Driven Musical Instruments Through Physical Modelling Techniques
Authors: Anders Bargum; Stefania Serafin
Touch Interaction for Corpus-based Audio–Visual Synthesis
Author: Diemo Schwarz
Sharing the Same Sound: Reflecting on Interactions between a Live Coder and a Violinist
Authors: Francesco Dal Rì; Francesca Zanghellini; Raul Masu
FAUST Multiplatform toolbox for Body Brain Digital Musical Instruments
Authors: David Fierro; Alain Bonardi; Atau Tanaka
The Living Looper: Rethinking the Musical Loop as a Machine Action-Perception Loop
Authors: Victor Shepardson; Thor Magnusson
A Human-Agents Music Performance System in an Extended Reality Environment
Authors: Pedro P. Lucas; Stefano Fasciani
Making Frugal Spatial Audio Systems Using Field-Programmable Gate Arrays
Authors: Romain Michon; Joseph Bizien; Maxime Popoff; Tanguy Risset
Jacdac-for-Max: Plug-and-Play Physical Prototyping of Musical Interfaces
Authors: Kobi Hartley; Steve Hodges; Joe Finney
Explorator Genus: Designing Transportable Mechatronic Sound Objects for Outdoor Installation Art
Authors: Nathan D Villicana-Shaw; Jim Murphy
The BioSynth—an affective biofeedback device grounded in feminist thought
Author: Erin M Gee
‘A Hapless But Entertaining Roar’: Developing a Room Feedback System through Artistic Research and Aesthetic Reflection
Author: John M Bowers
Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub
Authors: Paul Buser; Kasey LV Pocius; Linnea Kirby; Marcelo Wanderley
Co-Creatives Spaces: The machine as a collaborator
Authors: Notto J. W. Thelle; Bernt Isak Wærstad
Raw Data, Rough Mix: Towards an Integrated Practice of Making, Performance and Pedagogy
Authors: John M Bowers; John Richards; Tim Shaw; Robin Foster; Akihiro Kubota
Contrasting approaches to the no-input mixer
Authors: Tom Mudd; Akira Brown
Contrasting approaches to the no-input mixer
Authors: Tom Mudd; Akira Brown
Contrasting approaches to the no-input mixer
Authors: Tom Mudd; Akira Brown
LiveLily: An Expressive Live Sequencing and Live Scoring System Through Live Coding With the Lilypond Language
Author: Alexandros Drymonitis
Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework
Authors: Brady Boettcher; Eduardo A. L. Meneses; Christian Frisson; Marcelo Wanderley; Joseph Malloch
Leveraging Android Phones to Democratize Low-level Audio Programming
Authors: Carla Tapparo; Brooke Chalmers; Victor Zappi
The Electrosteel: An Electronic Instrument Inspired by the Pedal Steel Guitar
Authors: Jeffrey Snyder; Davis Polito, Matt Wang
The Feedback Mop Cello: An Instrument for Interacting with Acoustic Feedback Loops
Authors: Hugh A von Arnim; Stefano Fasciani; Çağrı Erdem
A sustained relationship with large instruments - a case against the convenient interface
Authors: Iran Sanadzadeh; Chloë Sobek
Prehistoric NIME: The untold influence of computer music on the origins of the NIME community
Author: Marcelo Wanderley
WebChucK: Computer Music Programming on the Web
Authors: Michael Mulshine; Ge Wang; Chris Chafe; Jack Atherton; Terry Feng; Celeste Betancur
A Scale-Based Ontology of Musical Instrument Design
Authors: Jack Armitage; Thor Magnusson; Andrew McPherson
